On the first of November 1954, “Bloody All Saints Day” exploded in a series of attacks throughout Algeria carried out by what would later become the National Liberation Front. It was the start of the Algerian war. The first film made about this conflict became the first indispensable documentary about the Algerian war. It includes unforgettable testimonies and archives to that allow us to “dare to look at the truth head on". In the rigorous search for historical truth, the authors committed themselves to understanding the different parts of the conflicts, such as the "pieds-noirs", the career soldiers, the Harkis, the Fellaghas, the civil population... Yves Couriere, writer and journalist, has followed all the major stages of the Algerian drama, on the field, between 1958 and 1963. Before making this film, from 1967 to 1971, he published a four-volume history, the first, of the Algerian war.
UntitledEl Sueño Colonial - ovni 2006
78 Archival description results for El Sueño Colonial - ovni 2006
La France est un Empire is a fresco on the grandeur of France. A film that proudly recounts the history of the creation of the French empire in less than a century (from 1814 to 1912). Propaganda with a clear conscience in regards to how France embarked on the civilizing mission that it had imposed on itself, and all the benefits that ensued from the colonisation of the “natives.” In this sense, it is an almost ethnographic testimony on how France saw itself on the eve of WWII. Seventy years on, the illusion has not dissipated, which is why Sandrine Lemaire's lucid analysis is so important in terms of restoring the truth about this adventure.
UntitledIn Benyounes forest, “la foret” as they called their habitants, was the last stage of a long trip for thousands of people coming from Sub-Saharan Africa. Close to the fence that divides Ceuta (Spain) from Morocco, they establish in a variable time, before flank the last obstacle in they way to Europe, looking for a better life. Sometimes running away from wars, politics persecutions, hunger or a precarious economy situation. Lots of times of all of this. In years, the migrants pass across this forest and after some weeks or months they manage to arrive to Ceuta. In finals of 2004, European union start agreements of subcontract Morocco in the control of the Spanish – Moroccan border. The habitants of the forest, started to feel the effects of this agreements: the increase of illegal devolutions, the abuses from the civil police, they install police controls near the forest, they forbid the access to current water, military attacks to the camps in with they made mass arrests and rapes as a war weapon. The border it's close. Systematic violation of human rights, financed with the tax of the democratic European Union citizens. The migrants organize themselves in spaces like this and construct spaces; support nets in Moroccan territory, confronting and resisting this way the European politics. In the forest of Benyounes, they organized themselves from origin communities. In February of 2005, decided between all the community's, record this video, to made visible their situation, in with they report the systematic violation of their human rights, the absolutely abandonment from the NGO's, Associations an Human Rights Institutions, an they demand their citizens condition and they require their rights as human beings.
UntitledClassic adventure film based on the H. Rider Haggard novel. Kathy O'Brien convinces explorer/adventurer Alan Quatermain to lead a small rescue party to search for her father who abandoned her to find the fabled diamond mines of King Solomon. www.archive.org
1958 General De Gaulle pronunces -in a very convulse and tragic moment for an Argelia under rigorous represion and torture- its famous and demagogic “Je vous ai Compris” (I understand you). A reading on several audiovisual documents of that time gives to us an opposite meaning to that sentence. “Je vous ai Compris” now means and show us the real sense of the civilizational work of the western powers. Today so enthusiaticly renovated.
This compelling documentary film charts the recent history of Iraq from the fall of the Ottoman Islamic State, looking at its corrupt rulers and the plans of the imperialist powers. It depicts the failure of the Nationalist, Communist, Nasserite and Ba'thist movements and how they spread chaos across Iraq in their bitter struggle over authority, finally returning Iraq to direct colonialism.
UntitledThe coalition forces before the launch of their war on Iraq promised the removal of a Saddam style dictatorship with the implementation of freedom and democracy. It was in the name of Freedom that Britain and America launched a brutal war on the people of Iraq who are predominantly Muslim. Far from accepting the occupation of the coalition forces, the people of Iraq have refused to be forced to accept democracy and freedom. In replacement of Saddam, America has installed a new dictator and continues its onslaught on cities and villages in Iraq that wish to remain independent. This powerful and moving documentary will question the justification of the whole war, expose the butchery inflicted upon the Iraqi people and set a vision (for action) for the Muslim communities in Britain and the West.
Untitled“There is a saying in Arabic that translates as ‘I see the stars at noon'. We use it when everything in life is turned upside-down, when things are not as they should be. I first heard it in the tiny Moroccan village of Sebt Jahjouh, travelling with a man named Abdelfattah, a man whose world was upside-down, a man for whom things were definitely not as they should have been.” In January of 2004, in the northern Moroccan city of Tangiers, Abdelfattah is one of many trying to illegally immigrate to Spain by stowing away on a cargo ship. “I See the Stars at Noon” is at times humorous and disturbing, as it intimately examines the circumstances that lead him to risk everything for an utterly uncertain future. The traditional relationship between filmmaker and subject is thrown into question when Abdelfattah asks why his life is being filmed for the benefit of European audiences, and what he deserves in return.
UntitledArnold Schwarzenegger talks about the TV series “Free to Choose” which deals with the neo-liberal writings of Milton Friedman. Arnold tells us “I want to share my experience with you. I came here to America from a socialist country (Austria), where the government controls the economy and you always feel their breath on the back of your neck, where 18 year olds only talk about their retirement. But I want more, I want to be the best. That's why I came to America and put my muscles to work in the film business, to be able to save and invest".
UntitledAn unsparing yet redemptive depiction of the inevitable grief, religious passions and frequent happiness that punctuate daily life in Benares, India's most holy city. Cinematographically transfiguring, and unfolding without commentary, subtitles or dialogue, “Forest of Bliss” is an attempt to give the viewer a wholly authentic though greatly magnified and concentrated sense of participation in the experiences examined by the film
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