Addressing issues of transition, alienation, refusal, identities, ethno-fascism, body as object & metaphor, agents, monsters, abjectness, subjective affinities, and objective trusts with material taped predominately while moving through Ljubljana, Zagreb, Sarajevo, Belgrade, and Skopje. The subjects conversing come from a range of constituencies; migrants, refugees, asylum seekers, residents (permanent and transient), students, workers, and cultural producers, recounting experience, locating sites, shifts, events, and the theorizing and accounting of the issues at stake, with associated ambient imagery forming specific histories of locations, and locations of histories at the intersection of cultures in this/these particular place(s) and time(s).
UntitledCroatia
9 Archival description results for Croatia
Sorrow depicts the voices of opposition to the war in Iraq and the endless sorrow of a woman who experiences the consequences of the war which, in spite of the opposing voices, has happened.
Ironic examination of the books of etiquette and customs of eating and drinking, as communal eating is the central site of showing others our breading and finesse. SYNOPSIS The rules of correct behaviour found in books of etiquette present themselves as aiding communication and helping people understand each other. They also claim to help us engage socially with greater ease and self confidence. These rules are learnt from birth which is the only way for us to completely internalize them. Their model is found in western civilizations, and compliance with them makes it easy to discern who is civilized and who is not. The film deals with customs of eating and drinking - specifically with the lunch situation, as communal eating is the central site of showing others our breading and finesse.
On one side of the border we have a small Croatian town Gunja, and on the other town Brcko which has a status of a district in the Republic of Bosnia and Herzegovina. They are connected with a bridge which is used daily, without any special formalities, by many people and during working days even large groups of school children.
UntitledWorking group Dje.V.E. (Girls Keep Records) appeared at the end of 2008 on the student's initiative at the Faculty of Teacher Education, Osijek. In the course of the years 2009 and 2010 we made two big projects How are you? and Making Believe – the City of Dreams with which we participated in the international culture festivals in Osijek and Zagreb. (Theatre Festival and Multimedia – TEST!, Land of no Frontiers – I Am Dreaming organized by ‘Breza', which is an organization specialized for work with the young). Our result to be singled out was achieved on the Festival of Science in Osijek where the project How are you? won second place in the category of best posters. Dje.V.E. are a creative working group led by Jelena Kova?evi?, M. A. with 11 girl-performers Ana Lau, Ana Leko, Doris Dundovi?, Maja Grden, Ema Grundler, Marina Martinovi?, Karolina Muha, Irina Oroli?, Darija Vranjeevi?, Tena Wertag and Sonja Vrani? Activities: 2010. –Waldinger Gallery, Osijek; Presentation of project: Making Believe – the City of Dreams 2010. – International Theatre Festival and Multimedia – TEST!, Zagreb; Presentation of project ‘Making Believe – the City of Dreams' 2009. – International cultural project for children and youth Land of no Frontiers – I Am Dreaming organized by ‘Breza', Osijek; 5 performances and 5 workshops for children 2009. –Youth Summer Festival Osijek; Presentation of project How are you? 2009. – Festival of Science, Osijek; Presentation of project How are you? 2009. – International Theatre Festival and Multimedia – TEST!, Zagreb; Presentation of project How are you?
Working group Dje.V.E. (Girls Keep Records) appeared at the end of 2008 on the student's initiative at the Faculty of Teacher Education, Osijek. In the course of the years 2009 and 2010 we made two big projects How are you? and Making Believe – the City of Dreams with which we participated in the international culture festivals in Osijek and Zagreb. (Theatre Festival and Multimedia – TEST!, Land of no Frontiers – I Am Dreaming organized by ‘Breza', which is an organization specialized for work with the young). Our result to be singled out was achieved on the Festival of Science in Osijek where the project How are you? won second place in the category of best posters. Dje.V.E. are a creative working group led by Jelena Kova?evi?, M. A. with 11 girl-performers Ana Lau, Ana Leko, Doris Dundovi?, Maja Grden, Ema Grundler, Marina Martinovi?, Karolina Muha, Irina Oroli?, Darija Vranjeevi?, Tena Wertag and Sonja Vrani? Activities: 2010. –Waldinger Gallery, Osijek; Presentation of project: Making Believe – the City of Dreams 2010. – International Theatre Festival and Multimedia – TEST!, Zagreb; Presentation of project ‘Making Believe – the City of Dreams' 2009. – International cultural project for children and youth Land of no Frontiers – I Am Dreaming organized by ‘Breza', Osijek; 5 performances and 5 workshops for children 2009. –Youth Summer Festival Osijek; Presentation of project How are you? 2009. – Festival of Science, Osijek; Presentation of project How are you? 2009. – International Theatre Festival and Multimedia – TEST!, Zagreb; Presentation of project How are you?
A woman is forced to take an unwanted step in her life. The film is mostly composed of still images emphasizing her wish to slow down time until she is ready.
When the human mechanistic concept enters into nature, the role of man becomes consciously or unconsciously one of false prophets. The message encloses enough amount of truth to be excepted and enough amount of lie to do harm. Unconscious position the cause is ignorance, and conscious desire for manipulation in his own advantage of any kind. Both directions are causing same effect. Contemporary model of co-creation of life becomes a threat on personal and collective level, false informations, exclusively linear comprehension of time are leading to irreversible and forever lost opportunities
UntitledIf the new world ever existed, it is still hidden way behind the horizon. An analogue clock is ticking away the last seconds before world crisis, while a noble patina covers fragments for archaeologists of memory. A silent relief in between two wars; a time of diffident bodies, of melancholy leisure, of secret divisions of the world. It is 1929. Peace before an enormous explosion.