It is not surprising to find that Zona Franca, the former commercial area of traditional industry, and 22@, the area recently zoned for logistic and technological capitalism, are part of a huge real estate operation publicised under the umbrella of Barcelona's post-industrial urban renewal. So, what economic and symbolic benefits do they generate, and for whom? What advantages do companies and institutions gain from this symbiosis? And what about the workers?

Plan Rosebud 1 is focused on the recent social debate around the so-called Historic Memory Act in Spain, and the current relation between the sites of memory and the politics of memory, and the cultural industries, studied in detail, in our case, trough the war tourism and commemorative tourism (that forms the main part of the four scenarios that this first film contains).

Fourteen young Moroccan newcomers to a reception center for minors in Spain agree to participate in a theatre workshop. It is the thin line that separates their recent past from their uncertain future. What is theatre but a full experience of the present? (2019-2001) ذكرى المرحوم عبد الصمد العبودي IN MEMORY OF ABDESSAMAD EL ABOUDI (2001-2019) Ahir/demà [Yesterday/tomorrow] family is very sad today. Extremely sad. One of the young boys who took part in our documentary, one of the protagonists, our brother Abdessamad El Aboudi, died in Barcelona yesterday afternoon. We are devastated. Together with Abdessamad, we shared the experience of the workshop given by Jesús Muñoz and Pau Pons, of the Pont Flotant theatre company, at the Reception Centre for Minors in Buñol, Valencia. He joined in with great enthusiasm. His energy was powerful. He was skilled, intelligent and very talented. During those sessions on Tuesdays and Thursdays he was happy. He also agreed to participate in the documentary we made to tell that story. In the film he could not transmit more happiness and life. Today, dear Abdessamad, son, brother, nephew, friend, we remember you. You are now a part of us.