Crítica de la Representación

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              13 Descripció arxivística resultats per al Crítica de la Representación

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              Ahir/demà: [Yesterday/tomorrow]
              ES ES-OVNI DIF-S010-SS003-0001 · Item · 2019
              Part de Non-Identified Video Observatory (OVNI)

              Fourteen young Moroccan newcomers to a reception center for minors in Spain agree to participate in a theatre workshop. It is the thin line that separates their recent past from their uncertain future. What is theatre but a full experience of the present? (2019-2001) ذكرى المرحوم عبد الصمد العبودي IN MEMORY OF ABDESSAMAD EL ABOUDI (2001-2019) Ahir/demà [Yesterday/tomorrow] family is very sad today. Extremely sad. One of the young boys who took part in our documentary, one of the protagonists, our brother Abdessamad El Aboudi, died in Barcelona yesterday afternoon. We are devastated. Together with Abdessamad, we shared the experience of the workshop given by Jesús Muñoz and Pau Pons, of the Pont Flotant theatre company, at the Reception Centre for Minors in Buñol, Valencia. He joined in with great enthusiasm. His energy was powerful. He was skilled, intelligent and very talented. During those sessions on Tuesdays and Thursdays he was happy. He also agreed to participate in the documentary we made to tell that story. In the film he could not transmit more happiness and life. Today, dear Abdessamad, son, brother, nephew, friend, we remember you. You are now a part of us.

              ES ES-OVNI CTX-S014-SS001-0113 · Item · 2009
              Part de Non-Identified Video Observatory (OVNI)

              Cover Girl Culture explores how the worlds of fashion, modeling, advertising and celebrity impact on our teens and young women. Who sets today's standards for beauty and how do these standards affect individuals and society? Who is responsible? Are there ways this can be changed' If so, who can/will change it?.

              Nicole Clark
              IDENTITY vs MEDIA
              ES ES-OVNI CTX-S005 · Series · 1997
              Part de Non-Identified Video Observatory (OVNI)

              4th  Independent Vídeo Show & Interactive Phenomena

              / CONTEXT 1994 - 2020

              4th  Independent Vídeo Show & Interactive Phenomena

              IDENTITY vs MEDIA / 4th  Independent Vídeo Show & Interactive Phenomena / OVNI 1997

              The MVI&Fi presents an extensive theme-based programme that is not exclusively dedicated to new audio-visual productions. The Mostra is non-competitive and all the participants are paid for their contributions. These are the specific criteria that distinguish the Mostra from other festivals.

              As in previous editions the audio-visual works presented in the MVI&FI are selected in two ways. On the one hand, a rigorous selection of works received through a public call for entries and the other, works selected from a variety of archives and programmers or through direct contact with the authors.

              The theme of identity , once again, is of central importance in the Mostra; identity, in this cases, at the cross-roads of the social, sexual, emotional and familial with the interior world of madness, pain and the intimate, ...A spectrum amply illustrated in the four programmes of the Dark Night of the Soul .

              In this edition, for the first time, the Mostra presents two monographic sections: An extensive selection of the work of the Canadian Steven Reinke and more limited programme dedicated to Joe Gibbons.

              We are also presenting an extended version of the William Burroughs monographic programme that was projected at the MACBA, consisting of works that go beyond the strictly videographic, and representing both a way of understanding visual experimentation and a radical critique of contemporary culture and society. There are works in with Burroughs actively collaborated, such as the films of Antony Balch and Gus Van Sant and others in which his writings or voice served as a point of reference, such as the shorts of Francis Ford Coppola, Herbert Distel, Philip Hunt, ...

              We are especially pleased to be showing The Society of the Spectacle by Guy Debord , with Keith Sanborn ’s English translation.

              The 4MVI&FI also includes two programmes of Experimental Television compiled by Andy Davies and during the Mostra Barcelona Television will broadcast a especial programme of ambient tv by Park 4 dtv.

              This year the Mostra has two sections dedicated to Interactive Pieces and Quicktime Movies . The first is both wide-ranging and informative and the second, more specific, consists of multimedia works from ZKM – Zentrum für Kunst und Medientechnologie in Karlshure- Deutschland and 10 representative CD roms of the archaeology of mass media from the Rick Prellinger Archives in New York.

              Each the programmes that make up the MVI&FI work as a route intended to transport the viewer through a series of emotional and mental landscapes as if in a ritual or journey, in which each of the stages influence and alter the others. The programmes consist of works that are formally diverse, that flow in a way that excludes neither contradiction nor paradox, that may be read over and above the significance of each specific piece.

              Thematical screenings

              Hall and Auditorium.  Simultaneous Screenings

              Centre de Cultura Contemporània de Barcelona

              Montalegre 5. 08001 Barcelona

              La Memoria Interior
              ES ES-OVNI RSC-1343 · Item · 2002
              Part de Non-Identified Video Observatory (OVNI)

              This work, the result of a trip to Germany (taken in December of 2000) and of a personal investigation that lasted over two years, tackles the theme of the construction of memory and of the mechanisms of the production of history. Through the narration of my family’s history, it delves into the memory of the recent emigration from the spanish state to Europe, and reflects on the mechanisms of oblivion and remembrance, by recuperating the idea of the construction of memory as a nexus and a dialogue, and the elaboration from personal experience against the idea of an official history and memory, restricted to the institutional and articulated around the aestheticisation and the deactivation of the political subjects.

              Observatory Archives OVNI
              ES ES-OVNI RSC-ADLO · Series
              Part de Non-Identified Video Observatory (OVNI)

              The Observatory Archives are structured around particular themes and have a clear purpose: to encourage a critique of contemporary culture and society, using different strategies, among others, video art, independent documentary, and mass media archaeology- The Archives cover a huge range of works that are very different from one another, but share a commitment to freedom of expression and reflect on our individual and collective fears and pleasures- Together, they offer a multifaceted view, thousands of tiny eyes that probe and explore our world and announce other possible worlds- It is a discourse that above all values heterogeneity, plurality, contradiction and subjectivity, an antidote to the cloning and repetition of corporate mass media- Given that the call for entries organized by OVNI every 18 months is theme-based, the works selected over the years offer a reading, a kind of record of some of the dreams and nightmares of our times- We have seen the range of issues and preoccupations become more focused over time, from works with very diverse themes in OVNI 1993 to 1996 (extending and exploring the video medium, regaining the formal and the thematic freedom of its early years), to progressively narrow down to increasingly specific themes: identity versus media (1997-1998), community (2000), globalisation (2002), Post Sept 11th (2003), Resistances (2005), The Colonial Dream Autonomous Zones (2006), Exodus, The Margins of the Empire (2008), Rhizomes (2009), Dis_Reality (2011), Oblivion (2012), In Limbo (2014), Arxius de l'Observatori ( 2015), The Border as a Center- Zones of Being and Non-Being-Migra and Coloniality (2016), Path of Return (2018), Winter's End (2020)-

              ES ES-OVNI CTX-S013-SS007-0087 · Item · 2008
              Part de Non-Identified Video Observatory (OVNI)

              Plan Rosebud 1 is focused on the recent social debate around the so-called Historic Memory Act in Spain, and the current relation between the sites of memory and the politics of memory, and the cultural industries, studied in detail, in our case, trough the war tourism and commemorative tourism (that forms the main part of the four scenarios that this first film contains).

              María Ruido
              René Vautier, l’indomptable
              ES ES-OVNI RSC-4344 · Item · 1996
              Part de Non-Identified Video Observatory (OVNI)

              This portrait of René Vautier, the most censored filmmaker in France, unfolds with an ironic and biting staging, a faithful reflection of an untamable director who was never afraid of the most scathing humor.

              The Potentiality of Storming Heaven
              ES ES-OVNI CTX-S013-SS003-0007 · Item · 2008
              Part de Non-Identified Video Observatory (OVNI)

              A 20 minute short movie-presentation of the insurrection of December 2008 in Greece through the words and actions of people that took part in it. The video was created in Thessaloniki in January 2009 and its first presentation took place before an open discussion-review of the insurrection in the squatted public library of Ano Poli.

              Anónimo en la Red
              The Purple Meridians III
              ES ES-OVNI EXP-S009 · Series · 2023
              Part de Non-Identified Video Observatory (OVNI)

              The Purple Meridians III

              The Purple Meridians III

              Over the past two years, a total of 19 filmmakers based in the three countries have met, online and in person, to discuss obstacles they face as women and non-binary people in the audiovisual industry, to exchange ideas and resources, and to create together.

              Preparations are underway in Italy , Turkey , Catalonia and the Basque Country for the third edition of The Purple Meridians 2023 , with the Gender Equality sponsorship by Eurimages .

              This year, the project will have its public and main event at the Durango Book-Music-Cinema Fair on 7 December . Durango is a city in the Basque Country and has been chosen by the organizers of The Purple Meridians to expand even further – as is the purpose of this project – the connections among women filmmakers in Europe and beyond.

              The choice of the Basque Country was therefore a ‘natural’ development as Basque filmmakers followed the first two Purple Meridians albeit ‘from a distance’. The program in the Basque Country will be possible thanks to the collaboration with the Durango Book Fair and Suargi Elkartea.

              Two main themes would be the focus of this third event:

              the difficulties, responses, proposals for women in the audiovisual industry to conjugate work and care work (maternity, care of children, care of elderly, care of ill partner/family member etc) and for women with disabilities.

              These two themes will be discussed in a 2-session conference in Durango to be held on 7 December 2023.

              Two filmmakers directly and most affected by this situation will be leading the discussion, Lisa Çalan and Ahu Ozturk . The two filmmakers, both Kurdish, will work with Basque filmmakers (who are exploring these issues in their films and who this year will be presenting a manifesto about ‘care’), as well as with the other filmmakers of The Purple Meridians (from Italy and Catalonia), not only in exposing the problems, but also in proposing answers, keeping in mind that one of the pillars of The Purple Meridians project is creating networks among women filmmakers in different countries.

              The speakers will be:

              Lisa Çalan, Ahu Öztürk (from Turkey, TPM), internationally acclaimed Basque actress Itziar Ituño (La Casa de Papel), Basque directors Ainhoa Olaso (winner of the Aukera program) and Estibaliz Urresola (awarded in Berlin 2023), Catalan director Lara Vilanova (TPM), Italian director Claudia Tosi (TPM), Argentine scriptwriter based in Belfast Luciana de Mello , Lebanese director Mary Jirmanus Saba , Kurdish director Sevinaz Evdike (Women Filmmakers Collective Kezi), and director Elli (Post Collective - Buriatia, Greece, Syria, Belgium).

              The day will be accompanied by the screening at Irudienea (12:30h-13:30h) of Estibaliz Urresola's short film, Cuerdas , and a Work in Progress by Mary Jirmanus Saba.

              At 19:00 h, the filmmakers will present to the press a summary of the conference's work.

              The press conference will feature also an intervention by a Palestinian filmmaker.