cooperativisme

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              10 Archival description results for cooperativisme

              ES ES-OVNI CTX-S014-SS001-0030 · Item · 2009
              Part of Non-Identified Video Observatory (OVNI)
              1. A handful of pioneers, mostly Europeans disappointed by Western society, set out to build Auroville, a utopian city of dawn. Forty years later, their desert plateau somewhere in Tamil Nadu, India, has become a jungle. Each day, some 2000 Aurovilians try to live by the ideals of Mira Alfassa, known as the Mother. In order to grow, they must push the limits of their environment and their own consciences through thick and thin. It is an enormous task. This documentary looks at the life of Aurovilians and the paradoxes of cities, and explains the reasons that led them to start afresh and reject a system that is on track to dominate all continents in the near future.
              Untitled
              ES ES-OVNI CTX-S016-SS001-0003 · Item · 2013
              Part of Non-Identified Video Observatory (OVNI)

              Dolores Tjeada Saavedra, the Councillor for Work at Marinaleda Town Council, gives a simple and detailed account of how a grassroots social movement has managed to socialize the means of production, housing, health, education and leisure in this small town in Southern Spain. Dolores explains the many benefits of having an active trade union, with the political power of the town counciland the productive force of cooperatives in the hands of the people. Marinaleda has a population of 3000, and an unemployment rate of 0%. Anybody who wants to self-build in the town is only charged 15 euros per month, and working families only pay 12 euros a month for childcare including meals, to name just two of a long list of social benefits. A true oasis in a country dominated byunbridled capitalism and the shabbiest and most retrograde government in Spain’s short history of democracy, which has left the country with an unemployment rate of 27% – 50% in the case of youth unemployment – and three million people living in poverty.

              Untitled
              ES ES-OVNI RSC-3369 · Item · 2009
              Part of Non-Identified Video Observatory (OVNI)

              From an agroecological and alternative perspective to capitalist globalization, "monte culebra" approaches the productive and organizational processes of peasant collective experiences in western Venezuela. A critical look at the agricultural development model that the Bolivarian government's agrarian policy promotes in rural cooperatives as a strategy to achieve food sovereignty. In addition, the evaluation of self-managed peasant experiences that practice agroecology -for more than 30 years- and participate in a network of food production and distribution through urban consumer fairs. "Monte Culebra" traces the history of Venezuelan rural displacement (common denominator in the world's peasant populations) and its resistance. In a context of corporate media dictatorship, community television emerged as a tool for the counter-hegemonic struggle, accompanying the experiences of rural life. Agroecological practices, inspired by ancestral methods and peasant rationality, insurge the agribusiness-educational paradigm and challenge the creativity of a government that tests new forms of territorial political action.

              ES ES-OVNI CTX-S013-SS002-0012 · Item · 2006
              Part of Non-Identified Video Observatory (OVNI)

              “On the one hand, cooperation doesn't seem to make us free. On the other hand, living without cooperation doesn't make us free, either. How can we stay free in cooperation? What is free cooperation?” The concept of free cooperation is an attempt to base emancipation, political theory and left politics (once more) on free negotiations and equal negotiating power. Spehr doesn't believe in simple “non-hierarchical” or “free” structures - there are always rules, responsibilities, structures of decision making and so on... the question is, which ones. He insists on the option of refusal and the right of withdrawal from cooperation, as well as negotiation and renegotiation with corporate or state monsters, and explores how ideas of independence, equality, and freedom can be useful for alternative networks of learning (in or outside the institutions). To explore these issues, Spehr refers to Science-Fiction, drawing on the language of this genre which, by changing and shifting the face of reality as we know it, highlights the underlying structures of this reality. In his view, this language is a powerful vehicle to talk about possibilities, desires, emancipation and social change.

              Untitled
              ES ES-OVNI CTX-S011-SS006-0009 · Item · 2005
              Part of Non-Identified Video Observatory (OVNI)

              Radio Qman Txun, crónica de un pueblo maya tells a story between entertainment and reflection, so it allows every watcher whether to do a deep analysis or not, according to their own interest: it can be seen just as a show but it can also make one wonder about the main social, economic and cultural problems of present day: the conflict between tradition and a far reaching globalization, the old social unfair and its links to current immigration, young people and Indian women, the peace process and the new born democracy in Guatemala, the only hope for a change. We just pretend to make questions and let every watcher figure out their own answers.

              Rhizomes
              ES ES-OVNI CTX-S013 · Series · 2009
              Part of Non-Identified Video Observatory (OVNI)

              Liberated spaces / OVNI 2009

              / CONTEXT 1994 - 2020

              Liberated spaces / OVNI 2009

              OVNI Rhizomes lays bare the subterranean, rhizomatic points of contact between worlds and experiences that seem very different from each other. The remembered image is that of a rhizome (1), or rhizomes, it doesn't matter which because it is both at once, the singular and plural do not affect it.

              “Advice, slogans: follow the plants” (2). In a world of concrete and asphalt we see different plant species living in cracks in the most unlikely places, gathering rain and seeking out soil that has been banished. At other times, these same plants, or the roots of trees, create the cracks and buckle the asphalt. We have also seen plants cover entire buildings, opening walls and destroying them; but so have we seen them holding together the ruins of immemorial knowledge, ancient temples in the jungle, in a strange union that seems to complete them. Like the cobra that saw Buddha meditating and instead of biting him, decided to cover him and shelter him from the rain. An image that perhaps renews a forgotten pact: to awaken to the smooth continuity between nature and human, between nature and knowledge, a continuum that hovers over words to remind us of the essential unity and manifest multiplicity of all things.

              Plants also show us diverse systems. Along with the centralised and hierarchical organisation of the roots of trees, there are the spidery roots of shrubs and bushes, the rhizome of certain species (grass, reeds, ginger, mangroves...) creates "an acentred, nonhierarchical and nonsignifying system without a General and without an organizing memory or central automation, defined solely by a circulation of states" (3).

              We screen videos like visions that connect and interrelate these states and realities, producing rhizome in space, but also in time, given that the first two principles of the rhizome are connection and heterogeneity: any of its points can and must be connected to anything else. This is not the case with trees and roots, which always fix a point, a particular order. Thus, like a violently smothered echo, the Black Panthers’ "all power to the people” resonates in the possibility of immigrant communities, in the “banlieues" of the world. The anti-Vietnam war protests and the underground that derived from them emit lines that break the sad, or even complicit, silence around the occupation of Palestine, Iraq, Afghanistan... or around the wars "subcontracted" by big corporations in Africa. (4)

              Indigenous peoples are part of a rhizome that includes the earth, plants and animals, forms of knowledge that derive from their forms of survival and celebration, and wakefulness and dreams. They see this multiplicity as a substantive, not an accumulation: another of the principles of rhizomes. They know that an attack against any one of their realities is unavoidably a prelude to other acts of violence. This is why a Yaqui Indian explains that those responsible for the genocide against his people also exterminated wild animals, domesticated others, imprisoned the survivors of his people in reserves. It is also like the indigenous community in Peru that dreams up a different kind of schools, and creates them with urgency on awakening; because they seen how the official educational system teaches their children to be enemies of their own traditions, of their own environment. They warn us, they are not isolated points on the outside of the “other”, they are lines of alert, for ourselves (5).

              In Europe, the warning came from Exarchia, a neighbourhood in Athens. The death of 15 year old Alexis, shot by a policeman, triggered a new awareness, the occupying of spaces, the issuing of communiqués in which teenagers sorrowfully condemned the submissiveness of many of their parents, the conformism instilled by the schools of consumption and production;... the impossibility of imagining, together, another form of existence:

              “We want a better world. Help us. We are not “terrorists”, nor “hooded ones", nor the "known-unknowns". We are your children, they are the known-unknowns... We have dreams, don’t destroy them We are alive, don’t stop us Remember, you were also young once Today you run after money, you only worry about “appearances” You’ve grown fat, you’re bald You’ve forgotten We hoped for your support We hoped for your concern We wanted you to make us proud for once. But it was in vain. You lives are nothing but lies, you have bowed down You’ve dropped your pants and you are waiting to die You don’t imagine, You don’t fall in love You don’t create You only buy and sell Materialism everywhere, Love nowhere, Truth nowhere (6).

              Dark roots, prisons opposite factories, maps and imaginaries that don't include us as life, neighbourhoods in ruins, third-generation migrants – forever migrants? - bombed hospitals, hundreds of dead birds by a lake, torn rhizomes.

              But unlike the cuts that isolate other kinds of structures, a rhizome can be torn and cut off at any part. Rhizomes can be broken or cut without causing any harm (7), because rhizomes are made up of ruptures, they can keep functioning and even thrive in spite of these “ruptures”. This is how other nomadic maps begin, inspired by roaming cats, in the non-useful areas of cities: where abandoned sites create space for communities of cats and, and room for the dreams of the people who feed them, humans adopted by feline tribes; in urban micro deserts, jungles and ruins. Where squatted abandoned buildings become hybrid, mingling with other distant memories, scorned by speculation. Liberated spaces that come back to life, that break the Totality (8).

              “What is the Totality? It is the high residue of hazardous and potentially lethal chemicals inside your fat cells. It is you shopping when you are depressed. It is you sitting inside and turning on the television or computer on a beautiful day. It is feeling you get that something is missing. It is the headache that won't go away. It is the bleeding in your intestines from years of pain alleviating drug use. It is the drugs you have take when you need an escape. The bulldozer that destroyed the woods you might have known so well. It is the towering skyscraper that makes you feel forever tiny and powerless. It is your prison, sometimes with bars, sometimes without. It is all your fears. It is the thing that has categorised you. It is the ache in your back. It is your adrenaline. The tears that pour down your face after a sad movie. It is your longing for a dramatic romance with a happy ending. It is the extinct species. It is the dying world. It is polluted air. It is the farmer killing her/himself with the pesticides that were going to make life better. It is the feeling of superiority, which supplies the reason to destroy all else.” (9)

              A Totality that is always aimed at the conquest of the other. And the result is a society based on competition, on commodification and global expansion. A society that doesn’t contemplate any logic other than growth (10). A society made up of masses of solitary individuals.

              Dominant thought can be recognised in power that is directed outwards. But this outward-focus does not mean that this form of power is only exercised on material forms and surfaces. Rather, it causes and forces everything that is inwardly focused – anonymous, hidden, insignificant – to flow towards the surface, be reduced to the external, reveal itself, publicise itself, to end up becoming nothing more than the outside. This is the only way that it can impose its full cartography, group and produce its identities... so that it can allocate its experts and target its goods. This outwardly-directed power necessarily dominates and subjugates the other – whether beings, territories or forms of knowledge – but also to constantly produces it, through the exhibition of images and attitudes, the unceasing creation of politica

              The art of Free Cooperation
              ES ES-OVNI RSC-2879 · Item · 2007
              Part of Non-Identified Video Observatory (OVNI)

              The Art of Free Cooperation is a book and a feature-length film collage, narrated by Tony Conrad, illustrating the principles of Free Cooperation through the visual language of science fiction movies, additional texts, interviews and highlights from the international “Free Cooperation” conference, organized by the editors.

              Untitled
              ES ES-OVNI RSC-3384 · Item · 2007
              Part of Non-Identified Video Observatory (OVNI)

              The Ancla2 Photography Cooperative, with the Venezuelan filmmaker and documentarian Rafael Lacau, carry out photography workshops in rural areas of South America, especially with children who have never had contact with a camera. The experience documented here is that of the youngest inhabitants of Tuñame, a town in the Venezuelan Andes. In this production, the children express how they see their community, how they understand problems - especially environmental problems - and what they feel about their reality and the solutions to face it. This documentary is part of the series "Venezuela seen by its children", presented on public television in that country.

              Untitled
              ES ES-OVNI RSC-3350 · Item · 2007
              Part of Non-Identified Video Observatory (OVNI)

              The Ancla2 Photography Cooperative, with the Venezuelan filmmaker and documentarian Rafael Lacau, carry out photography workshops in rural areas of South America, especially with children who have never had contact with a camera. The experience documented here is that of the youngest inhabitants of Tuñame, a town in the Venezuelan Andes. In this production, the children express how they see their community, how they understand problems - especially environmental problems - and what they feel about their reality and the solutions to face it. This documentary is part of the series "Venezuela seen by its children", presented on public television in that country.

              Non-Identified Video Observatory (OVNI)
              Where is my tribe?
              ES ES-OVNI DIF-S005 · Series · 2016
              Part of Non-Identified Video Observatory (OVNI)

              Theory and practice of care

              "Loneliness is on the rise. "Mainstream discourse hides the fact that the ‘normal’ situation of a 40-hour working week, plus daycare, plus grandma for tricky times, does not just leave room for improvement, it is downright unacceptable.”

              Carolina del Olmo, where is my tribe?

              In Sweden – an extreme case of Western trends within the Protestant tradition –, over 50% of the population live alone. People also die alone, forgotten by everyone, after a lifetime of pursuing the desire for personal independence, adapting to social norms, comforts, and socialisation without physical contact. The dream of an independent life, free from community bonds and patriarchal family ties, has turned out to be a nightmare of loneliness, sadness, and existential emptiness.

              We need to overcome the binary oppositions that lead us to choose between two almost equally bad options. We don’t have to go back to the old, strictly patriarchal family, but we shouldn’t have to settle for metropolitan solitude either. The idea is to create and experiment with other ways of living and loving.

              "According to anthropologist and primatologist Sarah Blaffer Hrdy, female lab rats locked in cages with only their young for company started to behave in a manner very similar to 1950s American housewives, with their obsessions and their neuroses. But when observed in the wild, mothers and their offspring showed a wide range of different behaviours in all kinds of social contexts."

                                                                                                                                                                           Carolina del Olmo, Where is My Tribe ?

              In the documentary The Swedish Theory of Love , a Swedish social worker investigating the growing number of people who die abandoned, completely isolated, asks: “What does it matter if I have a million in the bank if I am not happy?” But it’s not just about achieving happiness, it’s about the immense somnambulant sadness washing over a decaying civilization, where life unfolds in the midst of the epiphany of a mountain of waste. “ Did you hear that? It is the sound of your world collapsing ,” say the Zapatistas. Individual independence is the catastrophic ideal of a world that is perfectly organised and efficient but cold as ice.

              “ At the end of independence there is no happiness. At the end of independence there is the emptiness of life, the insignificance of life, and utter, unimaginable boredom.”

                                                                                                                                     Zygmunt Bauman, interviewed in The Swedish Theory of Love