From the front-lines of conflicts in Mexico, Argentina, South Africa, Palestine, Korea, 'the North' from Seattle to Genova, and the 'War on Terror' in New York, Afghanistan, and Iraq. The story of men and women around the world who resist being annihilated in this war. While our airwaves are crowded with talk of a new world war, narrated by generals and filmed from the noses of bombs, the human story of this global conflict remains untold. "The Fourth World War" brings together the images and voices of the war on the ground. It is a story of a war without end and of those who resist. The product of over two years of filming on the inside of movements on five continents, "The Fourth World War" is a film that would have been unimaginable at any other moment in history.
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In Israel's occupied territories, thousands of Palestinians work illegally as construction laborers. After an arduous and dangerous journey,loaded with blankets and bags, they cross the hills to the places where they can find employment. At night they sleep on the hillcrests in improvised huts and coffin-like sleeping cubicles, a stark contrast to the luxury apartment complexes they build by day. But they have made homes for themselves, complete with cosy pillows and even power generated by batteries they have scraped together. In 9 Star Hotel, the filmmakers follow Ahmed and Muhammad, one a merry collector of found objects, the other a philosophical criticaster of the Palestinian character ("We think backward. We never think forward."). Together, they share food, belongings and stories, and live under the constant threat of getting arrested -police, soldiers and the secret service are all tirelessly on the alert for illegal workers. With raw, handheld images, this disconcerting yet touching film documents friendship, nostalgia and the uncompromising urge to survive.
A 13-minute lyrical piece, based on a poem by Nadia Habib. An appeal for hope against despair, it reminds us that beyond the politics of occupation, Israelis and Palestinians live and work and suffer loss, side by side.
Happy Birthday to the National Front! For a long time, driven by the need to establish a dialogue around the Algerian War, René Vautier recorded the testimonies of Algerian independence activists, French conscripts and reservists, generals of the French army, historians... Thus, Mohamed Moulay, Ali Rouchaï, Mohamed Loulli, Germaine Tillion, Paul Teitgen, Pierre Vidal-Naquet, Colonel Antoine Argoud, General de Bollardière, and General Jacques Massu, among others, gave their testimony before Vautier’s camera. A documentary long unseen that reminds us where the National Front comes from, which changed its name and gained some respectability after Jean-Marie Le Pen’s leadership. Warning: The film is a rescued copy. The technical quality is degraded, but that is only a detail... The Man with Bloody Hands (by René Vautier) I had embarked on a historical project: recording on video tapes the “memories” of witnesses of the Algerian War, so that one day young students from France and Algeria could write together, in images, a common history of the relations between the two peoples. I was told about a man, in Saint-Eugène, who, despite having been tortured, had trouble asserting his pension rights because he had never been a member of the FLN. I interviewed him somewhat by chance: he told me about his tortures, and how, between sessions of “gégène” (electric torture) and “bathtub” (immersion torture), his torturers had pushed his thumbs into his eye sockets: “as if they wanted to make my eyes pop out.” Then I did what I always did: showed him a series of photos of paratrooper officers, to ask if he recognized his torturers. Very dignifiedly, he told me he could no longer see... but he added: “I have a paper from Mr. Mayor (the mayor of Algiers at the time was Jacques Chevalier, former Minister of Defense under Mendès-France) where the name of the paratrooper lieutenant is written.” That’s how I saw that the name he couldn’t read — he had gone blind due to the tortures — was that of Lieutenant Le Pen. I had Jacques Chevalier’s signature authenticated by his family members and people who had worked with him; I checked documents from the time — there was no doubt. Apparently, there is a law in France forbidding the use of testimonies about atrocities committed during the Algerian War. Let’s not be ridiculous: Austrians are suspected of putting at the head of their republic a man accused of having “covered up” tortures, and yet we should hide from the French documents that the whole world will feast on during the presidential elections? Because no law can prevent the whole world — except France! — from knowing that we will have a candidate not only with delirious statements but with bloody hands. This article was published in L’Humanité on September 29, 1987.
"A season outside is a film about understanding the essential concepts of non-violence as a philosophy and a way of life. The documentary travels through different dimensions of conflict, seeking the wisdom that could help transform conflict, through a process of humanisation. The film reaches out in a strength-giving exploration of the relevance, meaning and tremendous power of active non-violence." From the compilation "India's Quest Films". An exploration of its qualities and validity to the crisis of modern India.
Amar Kanwar"A Tornallom" is a documentary about the struggle to defend de irrigated area used for cultivation known as La Huerta de Valencia. It shows us images and testimonies of the events that occurred between September 2002 and March 2003, when more than 200 residents of La Punta (in the Huerta area) were evicted from their houses. The villages were demolished and the fields bulldozed to make room for the ZAL (logistics activities zone) of the Port of Valencia, which is planned to take up around 600,000 square meters, most of the area of La Huerta. “A Tornallom", is what the agricultural workers of La Huerta call the way they swap work amongst themselves. For heavy agricultural tasks workers usually help each other, pooling their efforts to do the work on one person's field and going on to another the next day until all the work is done.
Enric Peris"Here, the village chief, Sikali Wattara, was smoked out and shot in the back of the neck, a French bullet... Here, a seven-month-old child was killed, a French bullet blew her skull off... Here, blood on the wall, a pregnant woman came to die, two French bullets in her belly... On this African soil, four corpses, three men and a woman murdered in the name of us, people of France!" So spoke René Vautier on his first images as a filmmaker, shot clandestinely in 1949 across colonial Africa and saved in extremis from censorship. Banned for 40 years, the film was rehabilitated in 1990 by the French Ministry of Foreign Affairs, which showed it in embassies in Africa to prove that French anti-colonial sentiment did indeed exist in the early 50s...
Through the story of Bir'im, a destroyed Palestinian village, we encounter Nahida and two other women from the kibbutz built on its land. The trio's moving story focuses on a struggle for the return of the villagers to their homeland, a central issue in the Palestinian experience.
Alia ArasoughlyThis video documents the extent of the environmental impact provoked by the activities of an oil company in the Equatorial Amazon. Oil-related activity in the indigenous communities of north-east Ecuador has had a very serious social impact. Since the 1960s, various companies have been damaging the ecosystems of indigenous communities who live in shelters, supposedly protected by the state, while they are affected by disease and their internal relationships gradually break down.
Interview with historian Jacques Choukroun (bonus material from the DVD René Vautier in Algeria), focusing on the role of independent Algeria in Africa during the 1960s, as well as René Vautier's presence in post-independence Algeria — “the loudspeaker of peoples in struggle,” as the Breton filmmaker with the red camera was called. The discussion touches on: the Bandung Conference, the historic newspaper Révolution Africaine, pan-Africanism, Bouteflika’s role, and the 1965 coup d’état.