About media manufacturing a opinion state by using population fears and desires. News from the time about the Algerian conflict and the Independence and about what this possibility meant to france.

In 1963, shortly after the independence of Mali, the Tuareg population rose against the new government. Bloodily put down and followed by terrible droughts, this uprising led thousands of Tuareg from Mali and Niger to take refuge in Algeria and Libya. Teshumara, born out of the pain of exile, is a movement affirming Tuareg existence and the need for change. This is when the Tinariwen guitars started to resonate... This film is dedicated to my friend Amadou Aghali.

Grief and mass media in Algeria.

A cooperative technician recalls his "technical work" when, during the Algerian conflict, he was installing mines that still kill many civilians. A preliminary essay to the filming of Avoir vingt ans dans les Aurès: a fiction built from testimonies of conscripted soldiers in Algeria.

Rene Vautier, Brittany, 1928, studied at the “Institut des Hautes Etudes Cinématographiques”. Author of several works denouncing Colonialism, including: Afrique 50, Un homme est mort, Une nation, l'Algerie, L'Algerie en Flammes, Hirochirac,... René Vautier appears to be the archetypal socially committed filmmaker: his militant films are held up by a flexible rigorousness and formal ingenuity that help him overcome the practical problems arising from his "social intervention" works. In his own words, his motto could be: "Write history in images, immediately". In 1950, disgusted by the French censors who confiscated many of his reels, he managed to finish Afrique 50, the first French anti-colonial film. His social commitment as a filmmaker leads to 13 charges against him, and a jail sentence. At the price of many years in jail and a hunger strike, René Vautier's struggle against all kind of oppression - political, economic and cultural – will endure.

At the award ceremony for the Collar of the Hermine in Pontivy in September 2000, René Vautier was confronted by Claudine Dupont-Tingaud, a former regional councilor for the National Front and ex-OAS activist. With sharp wit and humor, Vautier tore apart her arguments, and in the end, she walked out of the room under a chorus of boos from the audience.

In 1962, René Vautier, together with some Algerian friends, organized an audiovisual formation center to encourage a “dialogue in images” between the two factions. A film was edited from that experience, but the French police partially destroyed it. The images that were saved represent an unprecedented historical document: They tell of the Algerian War and the history of the ALN (National Liberation Army), as well as showing life after the war and, particularly, the reconstruction of the cities and the countryside after the war of Independence. It is the first film from independent Algeria Dirección y fotografía | Réalisation et image | Directors and cinematographers René Vautier Ahmed Rachedi Nacer Guenifi Héléna Sanchez Sidi Boumédienne Mohamed Guennez Allal Yahiaoui Mohamed Bouamari André Dumaître Taïbi Mustapha Bellil