In Italian Somalia in 1934, a powerful colonist is running a vast estate with many indigenous workers, helped by a young, energetic and well-liked overseer. Then the colonist's beautiful, innocent daughter who had remained in her home country arrives, eager to experience the romance of Africa, full of exotic animals and human beings with strange, delightfully primitive customs. The young people fall in love, but the landowner vehemently rejects what he sees as an inappropriate match. The young overseer leaves and finds consolation in the arms of a beautiful native woman, but the tribe and her husband strongly and tragically oppose this.

This collaborative film, banned for more than a decade by French censors as an attack on French colonialism (and now available only in shortened form), is a deeply felt study of African art and the decline it underwent as a result of its contact with Western civilization. Marker's characteristically witty and thoughtful commentary is combined with images of a stark formal beauty in this passionate outcry against the fate of an art that was once integral to communal life but became debased as it fell victim to the demands of another culture.

A compilation of Columbian film heritage material relating to indigenous communities. Patrimonio Fílmico Colombiano.Colección Acevedo (1932 -1948) , Marco Tulio Lizarazo (Guerrillero Guadalupe Salcedo, 1953).

Those in power, who see any original idea as a potential seed of disruption and subversion, do not encourage the discussion of ideas or the return to our own values in order to arrive at more humane forms of development. As I made this film, I realised the extent to which Africans ignore their intellectuals. For some time now, they've been warning us about the options being imposed from outside, whether it be international banking, the IMF or even the former colonial powers. It's as though Africa lacked all trust in its intellectuals. Dr. Bado is a typical example of this contempt and lack of understanding. Those in power, who see any original idea as a possible seed of disruption and subversion, don't do anything to encourage discussion of ideas. My intention was to record Dr Bado's ideas so that future generations with greater awareness can take into account the neeed for a return to our own values in order to arrive at more human forms of development.

On Sunday October 18, 1970, the last day filming “Flower of the Arabian Nights” on location in Sanaa, the capital of Yemen, Pasolini decides to use some leftover rolls of film to make a documentary about the city and thus persuade Unesco to intervene to protect the beauty of this world heritage. ”With every passing day, one part of the Sanaa walls falls to pieces... One of my dreams is to save Sanaa and other cities – their historic centres. I will strive for my dream and endeavour for Unesco to intervene”, says Pasolini.