Colonialismo

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        Colonialismo

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          Colonialismo

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            Colonialismo

              115 Archival description results for Colonialismo

              115 results directly related Exclude narrower terms
              ES ES-OVNI CTX-S003-SS004-0004 · Item · 1992
              Part of Non-Identified Video Observatory (OVNI)

              An experimental documentary about the role corporations have played in shaping the American public's perceptions of the developing world. Weaving together clips of corporate-produced archival film with poetry, performance, and other metaphorically interpretive text, the tape raises questions about how public relations media operate in the constitution of power, how and by whom history is written, and how audience and consumer desire are constructed. 3 Mostra de Vídeo Independent de Barcelona 1996.    

              Untitled
              ES ES-OVNI CTX-S018-SS003-0002 · Item · 2016
              Part of Non-Identified Video Observatory (OVNI)

              Espacio del inmigrante is a self-managed space created by and for migrants. A space for gathering, reflection, and action. Drawing on “migrant" knowledge and putting forward their own racialised bodies, its members seek to generate new forms of resistance, empowerment and defense of migrant persons as political subjects.

              ES ES-OVNI RSC-4350 · Item · 1985
              Part of Non-Identified Video Observatory (OVNI)

              The history of Algeria from before 1830 to May 8, 1945. Going against all preconceived notions, the film reveals the reality of a country that, prior to colonization, had reached a level of development comparable to many European nations. It also exposes the hidden truths of colonial practices. The film ends with the May 8, 1945 massacre in Sétif, a prelude to the November 1954 uprising. With the participation of writer Kateb Yacine. In this documentary, made for Algerian Radio and Television in 1985, René Vautier revisits colonial history, tracing Algeria's past through engravings, drawings, and paintings from the pre-colonial era, accompanied by numerous interviews. The film includes extensive archival footage and an excerpt from René Vautier’s La Folle de Toujane, in which teacher Gilles Servat speaks with his students.

              Du Congo au Zaïre
              ES ES-OVNI CTX-S011-SS006-0091 · Item · 1980
              Part of Non-Identified Video Observatory (OVNI)

              The documentary Du Congo au Zaïre provides an insight into the current problems of Zaire, a country with a history full of controversy. It includes scenes of colonial life, the last images taken of the leader Patrice Lumumba, and the ceremonies celebrating the country's proclamation of independence.

              Untitled
              Edward Said.Orientalism
              ES ES-OVNI RSC-1182 · Item · 1998
              Part of Non-Identified Video Observatory (OVNI)

              Edward Said talks about the context within which the book "Orientalism" was conceived, its main themes and how its original thesis relates to the contemporary understanding of "the Orient." Said argues that the Western (especially American) understanding of the Middle East as a place full of villains and terrorists ruled by Islamic fundamentalism produces a deeply distorted image of the diversity and complexity of millions of Arab peoples.

              Untitled
              Entretien avec René Vautier
              ES ES-OVNI RSC-4337 · Item · 2012
              Part of Non-Identified Video Observatory (OVNI)

              In 2012, on the occasion of the fiftieth anniversary of Algerian independence and the theatrical re-release of the restored version of the film "Avoir 20 ans dans les Aurès", René Vautier looks back on his career as a filmmaker involved in anti-colonial struggles.

              Untitled
              Europlex
              ES ES-OVNI CTX-S009-SS004-0003 · Item · 2003
              Part of Non-Identified Video Observatory (OVNI)

              Europlex tracks distinct cross-border activities through the Spanish-Moroccan borderland and seeks to make these obscure paths visible. On their repetitive circuit around the check-point to the Spanish enclave Ceuta, the video follows in three borderlogs the smuggling women who strap multiple layers of clothes to their bodies; the daily commute of "domesticas" who turn into time travellers as they move back and forth between the Moroccan and European time zones; and the Moroccan women working in the transnational zones in Northafrica for the European market. All these trajectories move around and in between the imperative of the territorial borders. They form, however, a vital layer of the cultural and economic space between Europe and Africa.