The night crossing of a Mediterranean city by car. Its passenger stay there almost invisible, absorbed by the urban view. A voice confirms a lonely night wandering in a city by the sea, an urban journey made to let the time pass away. Who crosses this city isn't only passing through it. He's a local, for a night, before an exile without return.
Untitledciudad
3 Archival description results for ciudad
“With my passing travels, Istanbul remains enigmatic and without secret, far from prevailing visibilities.” (M.J. Mondzain) Everything is mixed, everything is there – not in organised, protected, preserved strata, but in accumulations, wearing, erasing, emptiness and chaos. A wild garden, here; the cycle of life and death; nothing is destroyed, everything is alive, wearing out, continuing. The clock: the Bosphorus. This city is way, the passing of. Here as nowhere else I perceive something of infinity, of the unceasing mixing of times, constant flux, appearing and disappearing; the presence of other times at the edge of the visible...
UntitledIn Guerre aux images en Algérie (War on Images in Algeria), René Vautier revisits the footage from Algérie en flammes (Algeria in Flames), shot alongside Algerian fighters in the ALN maquis in late 1956 and throughout 1957. These war images, filmed in the Aurès-Nementchas region, were meant to serve as a basis for dialogue between French and Algerians in the pursuit of peace in Algeria. They show the presence of an armed organization close to the people. In Guerre aux images en Algérie, Vautier sheds light, in 1985, on the context and often dramatic conditions in which the film was made.