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            Catalunya

              10 Archival description results for Catalunya

              10 results directly related Exclude narrower terms
              Relatos de la Periferia
              ES ES-OVNI CTX-S010-SS003-0004 · Item · 2003
              Part of Non-Identified Video Observatory (OVNI)

              Tales from the Periphery looks at the changes currently taking place in the world's second largest river basin, that of the River Plate Delta in Argentina, and reveals aspects of the lives of its people. The everyday rhythm of these lives slowly unfolds before a camera which picks out detail via a subjective approach, thus opening up a new existential reality for the spectator.

              Untitled
              Poble Now 24.05.02
              ES ES-OVNI CTX-S009-SS005-0028 · Item · 2002
              Part of Non-Identified Video Observatory (OVNI)

              Safaris in the gaps of the empire of property speculation. Psycho-geographic wanderings.Huge urban extension of desolated and confused territories between deconstruction and construction submerged to the rhythm of daily transformations... While the constructors look ahead in the future and neighbors reclaim the past of the workers district, here we are now, in a changeable and dynamic surroundings, without known marks and orientational signs. Municipal maps are not valid here any more.Flow of human circulations are generating and modifying according to measure that urban volumes are transforming. Every movement happens to be an adventure because it won't be possible to see and experience it never again.

              Untitled
              Ochenta años de mobbing
              ES ES-OVNI CTX-S012-SS007-0082 · Item · 2007
              Part of Non-Identified Video Observatory (OVNI)

              Four families who live in Bon Pastor, a Barcelona neighbourhood, refuse to leave their single-storey houses. Some refuse because they've lived there for their whole lives, others because they feel they've been duped by the Board of Housing. This video shows the action carried out by the support group “Asemblea de Apoyo a Bon Pastor” in solidarity with the four families who resisted, at a time when it is seen as “politically incorrect” to ask for what you believe is right.

              Untitled
              ES ES-OVNI RSC-4168 · Item · 2013
              Part of Non-Identified Video Observatory (OVNI)

              In 1985 the Government of Catalonia initiated the so called Cultural Agreement, which established culture as means for an understanding between left-wing and right-wing parties. Culture was destined to manage the new democracy’s rethorics. If some aspired to get the story of the country; some other, the story of the capital. The right-wing dreamed the myth of civil society; the left-wing with that of the citizen. And both saw the bourgeoisie as the symbol of their aspirations, and incidentally, how to overcome their antagonism. The Barcelona Museum of Contemporary Art (MACBA) was officially born in 1987 as a reflection of that dynamic. The common good was kidnapped since private interests were confused with public debate. The series of interviews this documentary presents wants to capture that process and provide keys of interpretation about the current cultural policies. With contributions from: Oriol Bohigas, Manuel Borja-Villel, Xavier Bru de Sala, María Corral, Josep Miquel Garcia, Daniel Giralt-Miracle, Joan Guitart, Bartomeu Marí, Miquel Molins, José Montilla, Jordi Pujol, Josep Ramoneda, Joan Rigol, Leopoldo Rodés, Gemma Sendra, Pep Subirós.

              Untitled
              La Ciudad de los Otros
              ES ES-OVNI CTX-S012-SS007-0087 · Item · 2006
              Part of Non-Identified Video Observatory (OVNI)

              The civic behaviour bylaws recently passed by Barcelona City Council and applied to other Catalan municipalities bear a striking resemblance to Fraga's 1965 “Keep Spain Clean” campaign. Sex workers, skaters, artists, social activists... spoke out against the new legislation. The video covers the numerous demonstrations that were organised against the civic bylaws.

              Untitled
              ES ES-OVNI RSC-4263 · Item · 1992
              Part of Non-Identified Video Observatory (OVNI)

              IA is an exercise that explores the format of the interview – as testimony or as a document – and the values associated with it: transparency/manipulation, neutrality/ideology and subjectivity/objectivity. When the procedure is laid bare, the substance is transformed. It could also be described as a series of visions from a city undergoing a reverse metamorphosis, an encapsulation, we could say: Barcelona 1992. A series of interviews edited with the camera in 1992 and 1994, and subsequently compiled onto two DVDs. Through the manipulation of the ritual, the interview becomes a space in which processes of the construction of meaning are challenged. Meta-interviews, self-interviews, interviews with the medium, views.

              ES ES-OVNI CTX-S012-SS007-0020 · Item · 2007
              Part of Non-Identified Video Observatory (OVNI)

              Can Ricart, in Barcelona's Poble Nou, was a textiles factory in the 19th century and an industrial complex with numerous workshops in the 20th century. At the start of the 21st century, the approval of the urban rehabilitation project Plan 22@, meant that industrial areas in Poble Nou were earmarked for demolition, to be replaced by office buildings. Can Ricart then became the subject of litigation between the affected workshops, the developer and owner – Federico Ricart, Marquis of Santa Isabel – defenders of the heritage value of the complex who wanted it turned into public space, and Barcelona City Council, responsible for the urban plan.

              Untitled
              Ciutat Abandonada
              ES ES-OVNI CTX-S012-SS007-0107 · Item · 2007
              Part of Non-Identified Video Observatory (OVNI)

              Urban space in the city of Barcelona is strongly influenced by the phenomenon of tourism. Four people talk about their impressions through their experience of systematised tourism in the city and the daily life of the people who live in it. “Abandoned City” is a 26 minute documentary that that takes its title from the phrase of one of its characters, who talks about the irony of an overcrowded city affected by abandonment. A local representation of a global phenomenon. This documentary is the result of the group work of the first year of the master of visual anthropology UB-Tanios films.

              Untitled
              Chino: Work in Progress
              ES ES-OVNI CTX-S011-SS005-0001 · Item · 1998
              Part of Non-Identified Video Observatory (OVNI)

              Annotations for a Work in Progress... In November 1994 I traveled from New York to Barcelona hoping to retain support film in what remained of the original Chinatown. One could say that at the time of my arrival in the neighborhood, this started to disappear. Currently it is being demolished and transformed following a massive urban redevelopment plan. Decline and future life, memory and oblivion: entropy as history.

              Untitled
              08001
              ES ES-OVNI RSC-3413 · Item · 2010
              Part of Non-Identified Video Observatory (OVNI)

              The goal of this documentary is to give a kind of snapshot of people's lives in the neighborhood of Raval in Barcelona on a normal day in wintertime in 2009. The idea was to accompany people with very distinct points of view through their everyday lives. All of these stories combine as part of one day in Raval, in which the camera changes situation and thus perspective over time, also meeting people to accompany and follow them on part of their daily route, observing and listening to their impressions of daily life in the neighbourhood. The cinematic design is to be clearly distinguishable and stand out from a classic reportage or documentary film style. The film does not follow a story in the classical way, it does not use any interviews, a narrative voice or music which is not part of the ambience in the image. Instead the camera is observing simple situations in the daily life in the Raval neighbourhood, following its main protagonists as a silent observer in their ordinary life.

              Untitled