Tarajal: Dismantling Impunity on the Southern Border is a documentary research project by the production company Metromuster, which previously produced the influential activist documentary Ciutat Morta. It has been commissioned by Observatori DESC, which is collaborating in the research process. Tarajal is based on statements from migration experts, journalists, lawyers, police spokespersons, and activists, as well as official declarations from the Interior Ministry, edited together to reveal the many contradictions in the accounts of the events leading to the death of 15 migrants at Tarajal. Above all, it suggests that the events may not have simply been a matter of police negligence, but part of a strategy designed for the application of migration control policies.

The film chronicles the dire reality of foreign domestic workers in Lebanon. By combining a multitude of perspectives, it offers intimate insights into the private lives of employers, agents and maids. Exposing modern forms of slavery, it also reflects on the role of women and domestic work at large in capitalist societies.

In a bid to reach a better life, hundreds of Moroccan kids sneak into Melilla, a Spanish enclave in the north of Morocco. This is the story of Said, a deaf Moroccan boy stuck in this Spanish portion of Africa, awed by a false sense of prosperity, tries to jump into one of the many boats that will take him to the peninsula and eventually to the fulfillment of his European dream.

Chronicles of the journey of refugees through Hungary, Croatia, and Serbia September 2015. Migration flows have been part of human experience throughout history. In 2014, almost 55 million people were forced to leave their homes in the face of war, persecution, and human rights violations: the highest figure since the end of World War II (1). According to the 2015 CEAR Report (2), 22,500 people have lost their lives in the Mediterranean during the migration process over the past fifteen years. These statistics are interpreted through biased and ethno-centric analyses that construct migrants as a potentially dangerous “other”. In The Walls of Europe we talk to different actors involved in the border zone between Serbia and Croatia, in the biggest human exodus that Europe has seen for decades. An exodus that reveals the dark side of the big NGOs and of the security and military forces of receiving countries, and the racism and xenophobia of Europe's governments.