"In the universe, there are things that are known, and things that are unknown, and in between, there are doors..." [William Blake] An old pilgrim dressed in rags observes a flower in the dark of the night ... The old man is a door between the things that are known and unknown ... symbolizes the decline and the end of what we have taken for real, and now it is perceived as ephemeral and inconsistent, as the poverty of his clothes dragged by time. The proximity of death as an unavoidable truth gives his own vision; a new and deeper insight not limited to visual perception, and beyond logic and laws of the world. Maybe that's why in the dark of night can contemplate the beauty of a flower.
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“Socotra, the island of djinns” is based on the book “Socotra, la isla de los genios” published by Atalanta ediciones. The film is the story of a trip on the remote island of Socotra in the Indian Ocean, known in antiquity for its Phoenix and Rukh birds. In the rest of the Indian Ocean, the monsoon winds, have propitiated commerce and civilisation. Without any bay or natural port and surrounded by reefs, Socotra is isolated during the monsoon when is imposible to land. This isolation has preserved a unique environment. Frankincense and myrrh trees grow freely on Socotra.The dragon blood tree unique to the island has sap that is a red as blood. It was used by the gladiators of Ancient Rome to cover their skin and to protect it from injuries. The varnish that gave a unique and precious touch to Stradivarius violins, is also credited to the sap of the tree, a secret kept by the luthiers of Cremona. On the journey are Ahmed Afrar, youngest son of the late sultan of Socotra, some companions and three cameleers with their animals. They trek to the mountains before the rainy season. En route to visit relatives, the socotrians speak tell stories by the fire. During the night, conversation turns to legends of djinns and monstrous snakes that dwell in the cavernous interior of the island. A surprising and vanishing world is revealed. Is the first and only movie spoken entirelly in the genuine socotrian language, A southern arabian language related to the old language of the Kingdom of Sheba.
UntitledFrom the series Fez Ciudad Interior. Silences and wind in the olive trees, contemplation, labyrinths and dreams. Abdelfettah Seffar, a craftsman who lived in London for years and decided to return, talks about Fez, a veiled city, and reflects of the West and its conflicts.
Untitled1998, Tangier. Conversations in the bar La Poste with Tangerian writer Mohammed Chukri and New York poet Ira Cohen, stories of death, separation and loss under the mantle of friendship.
This is the memory of a journey from the heart of an inhabited wilderness . People overwhelmed by the color of the clouds, holes in the sky to another site. An inappropriate vehicle for the place rolling toward the direction of the emotions unleashed: the experience minutes before the cyclone.
The markets of Fez, accessible from the main streets of the medina, are mostly situated very near the entrances to the city and reflect the vitality of an economic microsystem associated with the basic needs of the medina and its immediate rural surroundings.
Fez is one of the North African cities to have had most madrassas, of great architectural beauty. Madrassas, former Koran schools and now open for visits as public monuments, formerly provided one of the functions that raised Fez to the height of its splendour: the study of Islamic tradition and the body of laws and regulations governing social life. They were also the home of the students. Madrassas: Bu Inaniyya (1350), al-Attarin (1323), Seffarin (1280), al-Sahri (1321).
Maa Tere Manalen is the result of Tere Recaren's two trips to Mali. It all began the day the artist discovers that in Mali, her name means something like “destiny.” So Recarens sets off to Africa to explore all the possible meanings of her name for the Bamanan, the country's most numerous ethnic group. Maa Tere Manalen (someone with a lighted Tere) took shape during her second visit. After her trip to Estonia, where she had discovered that “Tere” meant “good day,” she embarks on a similar exploration avoiding the classic tourist trip. Faithful to her habits, she promotes other kinds of exchanges and experiences; so in Mali she works in a textile factory where she designs and produces her own fabric with prints of drawings and phrases related to her name. Once this was done, she cuts it up and swaps it for photos of everybody who has helped her in some way, filming the whole process. The work draws attention to the gift itself, and the artist's constant availability. Recarens “builds” a room, which functions as a space in which to exhibit her work: she fills it with fabric that she finds or swaps things for, with motifs that refer to public or private moments, ideal for talking about different kinds of families. A space that is halfway between aesthetic and functional, where Recarens displays her own images.
Los Sures is the name of a Puerto Rican neighborhood in Brooklyn, New York. Recorded in 1991 and published in 2008, this video is not so much a portrait of the neighborhood or a memory of it, but a journey of initiation through different interior landscapes that are reflected in the urban wilderness in the evocation of death and loneliness, but also in contemplation and celebration of life.
Fez is the Moroccan city with the liveliest tradition of artisans. Far from being "just a job", the activity of the artisan reflects a whole conception of the world and a way of experiencing time and giving it meaning. This native wisdom is passed down from parents to children, from the maalem, the master, to the apprentice.