Annotations for a Work in Progress... In November 1994 I traveled from New York to Barcelona hoping to retain support film in what remained of the original Chinatown. One could say that at the time of my arrival in the neighborhood, this started to disappear. Currently it is being demolished and transformed following a massive urban redevelopment plan. Decline and future life, memory and oblivion: entropy as history.

Different people talk about their experiences and ideas of sorrow.

Insanity is a cure. Techniques, digital technology and media landscapes seen by topographers in dreams. Territories of sorrow, hope and meaning. Felt meaning.

A process of detachment and relativization of the unknown, the different, the uncontrollable, the impact of the strange experience to generate a thought influenced both by the media and memory. 3 Mostra de Vídeo Independent de Barcelona 1996.

From the outside of the Guggenheim Museum, through glass walls, a home video camera records the social activity provoked by an Antonio Tàpies exhibition. An unsettling camera movement gives us these images, accompanied by the soundtrack of "The Critters". 3rd Mostra de Vídeo Independent de Barcelona 1996.

Bravo is the surname of the old lady portrayed in this video, the mother-grandmother of the author. Bravo also means brave, as though in reference to the encounter with the nude figure of the mother, revealed in desecrated images. 6th Independent Vídeo & Interactive Phenomena Show