FULL SPECTRUM WARRIOR: Based On A Training Aid Developed For The U.S. Army*, is a squad-based real-time combat game that allows players to experience the intensity and gritty realism of urban combat warfare. As Squad Leader, take command and coordinate the actions of two infantry squads (Alpha and Bravo) leading them through a hostile urban warzone. KUMA WAR missions allow subscribers to experience first-hand some of the toughest fighting in the global war on terror because each mission is based on real-world events. Missions are developed and delivered to your computer with unprecedented speed so you can experience these critical current events soon after they happen. ICT. Part of the University of Southern California, the Institute for Creative Technologies is an award-winning research center that advances the state-of-the-art in virtual reality and immersive environments. The goal of the ICT is the creation of the Experience Learning System (ELS), which provides the ability to learn through active, as opposed to passive, systems. ICT will create the ELS by harnessing creative talent from the entertainment and game development industries and leading edge research on simulation technologies such as Artificial Intelligence, Graphics and Sound. In addition, specific military training tasks (Future Combat Systems).But FCS is not just about platforms. It is also about command, information, logistics and fires networks, distributed sensors, and unmanned vehicles both aerial and terrestrial, all working together to make the future American soldier persuasive in peace and invincible in war.
UntitledCatalunya
32 Archival description results for Catalunya
"Welcome to Tangier is like your home, happy, very happy and nothing else. Why not ?.... Go go and look for Charlie you will be in good hands you know what I mean in good ?....in good hands, he will help you around and .... do you understand my friend'"
A video essay on Oblivion with excerpts from: . The Mahabharata, Peter Brook, . Conversacion con Jean-Claude Carrière, Abu Ali, Toni Cots y Stefano Casella. . La Commune, Peter Watkins . Del Poder, Zaván . I do not call it rioting, I call it Insurrection, Anónimo en la red. . La Barcelona que no se ve, la Barcelona que se esconde. TEB y OVNI . Sembrando Sueños, Elio González . Er'hal, Ves-te'n. Diari de la Plaça Tahrir, Marc Almodóvar. . 27 de Maig del 2011. Plaça Catalunya. . Solutions locales pour un Désordre global, Coline Serrau
videos excerpts from: Hinterland, Marie Voignier Dubai in Ruins Spec Ops: The Line Self Fiction, Christian Barani Oscuros Portales, Falconetti Peña Digital, León Siminiani Life 2.0, Jason Spingarn-Koff Virtual Nothing, Babylon Archives Videocracy, Erik Gandini Il corpo delle Donne, Lorella Zanardo Et la guerre est à peine commencée, Anonimo en la Red End:CIV Resist or die, Derrick Jensen, Franklin López Paradise Later, Ascan Breuer Pi'txi (Acompañante), Xavi Hurtado The Dubai in Me, Christian von Borries Soufis d'Afghanistan. Maître et Disciple, Arnaud Desjardins Les barbares, Jean-Gabriel , Périot Maya, Sri H.W.L. Poonja Papaji.
The urban and social structure of neighbourhoods in the medina is one of vast intricacy and complexity, being organized around a series of vital establishments for the everyday life of their inhabitants, such as the hammam or public baths, the bakery, schools and the foundouk, or caravanserai. Communal bakeries provide the heating for the public baths or hammam, fully active establishments that are very important for the cohesion of the city's social fabric. Foundouks are establishments where visiting merchants traditionally stayed and stored their products overnight. Most have now lost their original function and are adapted for other uses, such as dwellings or workshops.
"Those who are on the road of the heart show their wounds...". Farid Ud-Din Attar. S.XI. Persia. Cd rom_interactive. Zayd Ibn Dawra 2000 Marrakesh. Collaborations: Zoubida el Bouzidi. IDEP.
The sky is burning! Portrait of Germán.
Non-Identified Video Observatory (OVNI)1958 General De Gaulle pronunces -in a very convulse and tragic moment for an Argelia under rigorous represion and torture- its famous and demagogic “Je vous ai Compris” (I understand you). A reading on several audiovisual documents of that time gives to us an opposite meaning to that sentence. “Je vous ai Compris” now means and show us the real sense of the civilizational work of the western powers. Today so enthusiaticly renovated.
In global capitalism, the movement of bodies through borders takes the form of an asymmetrical dualism. One side of the border acts as a retaining wall, a knife that cuts territories, bodies, and genders. It is not driven to block access to the central zones of capital, but to bureaucratically manage the legality of the migratory flow, forking it into being and non-being. The other side of the border adopts a flexible interface, expanding endlessly in the space of the “other”, while preserving the impermeability of knowledge and identities. The border has ceased to be a peripheral space, it becomes centre. Its implosion is expressed in a whole range of institutions, security devices, and parallel agencies that inhabit our cities, forming an expanding inner border. The logic of the border is now spreading to all systems of political and cognitive power. In this sense, we can speak of borders as laboratories for a new totalitarian system. Proclamations that were once the domain of openly racist sectarian groups are now being absorbed into governmental and media discourse. Colonialism is also a state of the soul, based on alterity in constant opposition. Always an “other” to criticise, occupy, conquer... never loving contemplation or dialogue for the transformation of being... being without borders.