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            Catalunya

              17 Archival description results for Catalunya

              17 results directly related Exclude narrower terms
              Al Barzaj
              ES ES-OVNI CTX-S014-SS001-0135 · Item · 2010
              Part of Non-Identified Video Observatory (OVNI)

              Al Barzaj [Between the worlds] is a poem about the halfway world, between the visible and the invisible, sleep and wakefulness... An inner journey through underground streets, secret gardens.

              Untitled
              Distancias
              ES ES-OVNI CTX-S013-SS006-0010 · Item · 2008
              Part of Non-Identified Video Observatory (OVNI)

              Something happened on the Spanish-Moroccan border in Autumn 2005. A thing that is still happening today in other places and in other ways. Hundreds of sub-Saharans used ladders to cross a European border. Weapons, rubber bullets, death. Thousands were deported to the Sahara desert. Death. Spanish television broadcast images of an accelerated war. Just bodies, not individuals. Something we watched. Returning to the place where it all happened we find nothing but empty space. A landscapes without traces. What remains, that fence. How is it possible to create new representations that don't get lost in the oversaturation of images that present migrants as victims? Others had already asked themselves the same question. A group of Congolese refugees is stuck in Morocco waiting to reach Europe. They have created a theatre piece based on their experiences of migration. In the room where they live each day, it takes shape as a self-representation of each step along the path. But it is not a finished work. There is no audience and no stage, just a work waiting for its ending.

              El amor es tu destino
              ES ES-OVNI CTX-S014-SS001-0136 · Item · 2010
              Part of Non-Identified Video Observatory (OVNI)

              “Do not be sad, my son, you are destined to fall in love.” An intervention-reading of a concert by Egyptian musician Abdelhalim el Hafiz, performing The Fortune Teller by the poet Nizar Qabbani. "My son you are 10 years old, I look at the life you have ahead of you and today it gives me vertigo. But it is not fair, perhaps because I am seeing it from my decline, I no longer have the drive that is becoming strong in you now, that is growing every day; this whirlwind of dust, but also of beauty that will take your life, like ours, like a leaf in the wind. Perhaps it was you and Yasmin who recently crossed the dense city sky... I remember as if it were yesterday in the wastelands, you picked up a translucent stone that shone in the sun when you showed it to me and now I know that you are that star you were holding in your hands".

              Untitled
              ES OVNI RSC-1311 · Item · 2002
              Part of Non-Identified Video Observatory (OVNI)

              The urban and social structure of neighbourhoods in the medina is one of vast intricacy and complexity, being organized around a series of vital establishments for the everyday life of their inhabitants, such as the hammam or public baths, the bakery, schools and the foundouk, or caravanserai. Communal bakeries provide the heating for the public baths or hammam, fully active establishments that are very important for the cohesion of the city's social fabric. Foundouks are establishments where visiting merchants traditionally stayed and stored their products overnight. Most have now lost their original function and are adapted for other uses, such as dwellings or workshops.

              Fes. Ciutat Interior
              ES ES-OVNI CTX-S010-SS007-0076 · Item · 2002
              Part of Non-Identified Video Observatory (OVNI)

              An initiatic journey Videos from an exhibition at the Centre de Cultura Comtemporània de Barcelona from March 26 to May 30, 2002 (a project by Albert Garcia-Espuche and Toni Serra). Into the innermost parts of the city of Fes.Using audiovisual recordings that illustrate some of the different anthropologic, sociologic, urbanistic and religious aspects that make up the fabric of the city. A journey that requires both objectivity (in the working method) and subjectivity (for the experience of the journey and immersion in another culture).

              ES ES-OVNI RSC-1914 · Item · 1999
              Part of Non-Identified Video Observatory (OVNI)

              A journey of initiation into a city and a its culture. The set of projections (10 screens) aimed to create a journey in the complex sense of the term: using audiovisual segments to illustrate aspects of the anthropological, sociological, urban and religious tissues of the city. A journey claiming both: a certain objectivity (in the working method), and the subjectivity (of the travel experience and approach to another culture). Moreover, the projections do not meet the criteria of a film with a beginning and an end, but rather the creation of a landscape, so the viewer choosed the time he/she wished to dedicated to each fragment. This made it possible to enjoy a deeper level of inquiry to specific fragments (artisans, rituals interviews, etc.). Consequently, the result of each visit to the exhibition gave an unique combinatorial fragments, since the total length of the projections would be about 6 hours. VideoInstallation 10 screens total lenght: 6h 40' Toni Serra , Albert García Espuche CCCB Centre de Cultura Contemporània de Barcelona 2002

              Untitled
              Frontera Sur
              ES ES-OVNI CTX-S009-SS004-0004 · Item · 2003
              Part of Non-Identified Video Observatory (OVNI)

              On the border, the line as principle of property and belonging reaches an extreme dimension where it physically defines the sphere of its relations. Those who transgress it reconstruct these imaginary lines on a daily basis, redefining the traditional geography and occupying the non-spaces where others live in a temporary form of existence. These others, the non-citizens, are phantasmtic, exchangeable parts of a flexible market. Made invisible, they are permanently controlled persons. Under the pretext of a greater civilian security, they are kept clear from the public spaces reserved for the citizens with rights and pushed into non-public spaces, which are run by state and military surveillance, multinational operations servicing a European market and non-governmental organisations.

              Untitled
              La Forêt
              ES ES-OVNI CTX-S011-SS004-0011 · Item · 2005
              Part of Non-Identified Video Observatory (OVNI)

              In Benyounes forest, “la foret” as they called their habitants, was the last stage of a long trip for thousands of people coming from Sub-Saharan Africa. Close to the fence that divides Ceuta (Spain) from Morocco, they establish in a variable time, before flank the last obstacle in they way to Europe, looking for a better life. Sometimes running away from wars, politics persecutions, hunger or a precarious economy situation. Lots of times of all of this. In years, the migrants pass across this forest and after some weeks or months they manage to arrive to Ceuta. In finals of 2004, European union start agreements of subcontract Morocco in the control of the Spanish – Moroccan border. The habitants of the forest, started to feel the effects of this agreements: the increase of illegal devolutions, the abuses from the civil police, they install police controls near the forest, they forbid the access to current water, military attacks to the camps in with they made mass arrests and rapes as a war weapon. The border it's close. Systematic violation of human rights, financed with the tax of the democratic European Union citizens. The migrants organize themselves in spaces like this and construct spaces; support nets in Moroccan territory, confronting and resisting this way the European politics. In the forest of Benyounes, they organized themselves from origin communities. In February of 2005, decided between all the community's, record this video, to made visible their situation, in with they report the systematic violation of their human rights, the absolutely abandonment from the NGO's, Associations an Human Rights Institutions, an they demand their citizens condition and they require their rights as human beings.

              Untitled
              ES OVNI RSC-1309 · Item · 2002
              Part of Non-Identified Video Observatory (OVNI)

              Fez is the Moroccan city with the liveliest tradition of artisans. Far from being "just a job", the activity of the artisan reflects a whole conception of the world and a way of experiencing time and giving it meaning. This native wisdom is passed down from parents to children, from the maalem, the master, to the apprentice.