L'escriptor Jordi Esteva torna a Costa d'Ivori per a esbrinar sobre l'esperit de la pantera que es va manifestar durant el rodatge del seu anterior documental "Retorn al país de les ànimes" sobre les creences ancestrals i els fenòmens de tràngol i possessió. En la pel·lícula, rodada en blanc i negre, amb el ritme d'una "road movie", l'escriptor assistirà de nou a una cerimònia de tràngol en la qual un komian serà posseït per l'esperit de la pantera i emprendrà la cerca de l'altra komian, en tota la Costa d'Ivori, posseïda pel mateix esperit poderós. El periple li portarà a la veïna Ghana a la recerca dels únics percussionistes que poden invocar a l'esperit de la pantera amb els seus ritmes.
UntitledCatalunya
360 Archival description results for Catalunya
Insanity is a cure. Techniques, digital technology and media landscapes seen by topographers in dreams. Territories of sorrow, hope and meaning. Felt meaning.
3 Mostra de Vídeo Independent de Barcelona 1996.
UntitledKali, consort of Shiva. Representation of its regenerative power through destruction.
UntitledDocuments from the dark side of the empire. Government and corporate promotional material from military, pharmaceutical, digital and other mega industries...promoting them and their unspoken interests.
UntitledAudiovisual project by Alessandro Quaranta. Presented at Centre d'Arts Santa Mònica, Barcelona, December 2025.
An exploration of human sentiments, but also a questioning of the reality of these feelings once they are filtered through the media. 6th Independent Vídeo & Interactive Phenomena Show
1958 General De Gaulle pronunces -in a very convulse and tragic moment for an Argelia under rigorous represion and torture- its famous and demagogic “Je vous ai Compris” (I understand you). A reading on several audiovisual documents of that time gives to us an opposite meaning to that sentence. “Je vous ai Compris” now means and show us the real sense of the civilizational work of the western powers. Today so enthusiaticly renovated.
Shot in Cameroon and Brussels, Je ne suis pas moi-même explores the world of African antiquities and the contradictions in a European art market hungry for new tribal objects. Where do the African masks come from? What journey do these masks make before their unveiling in the windows of the biggest galleries or art collections in Europe? Who determines the economic and aesthetic value of these objects now that colonialism is supposedly dead' And then there's a continent called Africa, in need of economic resources and therefore willing to sell its cultural heritage or, if need be, to fake it. The authenticity of the objects becomes blurred when the people that once adored them start to sell them.
UntitledDream stories. Dreams as a passage into parallel worlds, erasing the limits between the real and the unreal, between life and death.