Addressing issues of transition, alienation, refusal, identities, ethno-fascism, body as object & metaphor, agents, monsters, abjectness, subjective affinities, and objective trusts with material taped predominately while moving through Ljubljana, Zagreb, Sarajevo, Belgrade, and Skopje. The subjects conversing come from a range of constituencies; migrants, refugees, asylum seekers, residents (permanent and transient), students, workers, and cultural producers, recounting experience, locating sites, shifts, events, and the theorizing and accounting of the issues at stake, with associated ambient imagery forming specific histories of locations, and locations of histories at the intersection of cultures in this/these particular place(s) and time(s).

Images of orchids opening, plants sprouting, clouds and water superimposed onto images of the Sabra and Chatila refugee camp massacre in Lebanon in 1982. The voice of Abdel Majid Fadl Ali Hassan (a refugee from 1958 who lives in the Bourg El Harajneh camp) tells how his house in Palestine was destroyed.