Addressing issues of transition, alienation, refusal, identities, ethno-fascism, body as object & metaphor, agents, monsters, abjectness, subjective affinities, and objective trusts with material taped predominately while moving through Ljubljana, Zagreb, Sarajevo, Belgrade, and Skopje. The subjects conversing come from a range of constituencies; migrants, refugees, asylum seekers, residents (permanent and transient), students, workers, and cultural producers, recounting experience, locating sites, shifts, events, and the theorizing and accounting of the issues at stake, with associated ambient imagery forming specific histories of locations, and locations of histories at the intersection of cultures in this/these particular place(s) and time(s).

The author of this film hitchhiked from Tarragona to Pakistan with the object of shooting a film in the so-called “Islamic” countries, and doing so in a fashion that is different from the usual media stereotypes that pigeon-hole women. For thirteen months, she travelled and lived in Bosnia, Turkey, Iran, Afghanistan and Pakistan. Unveiled Views portrays the lives of five women she met during her sojourn. These women have chosen art as a way to express themselves: public performances, cinema, music, poetry and dance are the tools they use -each in her own particular way- to unveil a personal vision of life.