The voice of the tour guide takes the viewer through wobbly Super 8 pictures which Irshaid's Palestinian father took on a family trip to Palestine / Israel in the 1970s. An ironic portrait offering an alternative to the images in the mass media.

Due to her Mongolian birthmark, the filmmaker Theresia Grösslinger embarks on a cinematic journey through Mongolia. However, the illusion of being closer to the country and its people because of her birthmark is destroyed right from the beginning. While taking part in a family's everyday life in the southern veldt, she soon has to admit to herself her disappointment at feeling completely lost in this vastness and that the family only regards her as a tourist.