Advises children to do whatever is necessary -even lie- to achieve harmonious family relations. "These boys treat their dad as though they were genuinely glad to see him, as though they really missed him...". (The Prelinger Archives are a source of educational material, mainly ordered by theme, giving a vision of the dark side, the underbelly, perhaps naive of the American dream and the America that is often hidden behind the media curtain.)
UntitledArqueología Mediàtica
50 Archival description results for Arqueología Mediàtica
Happy Birthday to the National Front! For a long time, driven by the need to establish a dialogue around the Algerian War, René Vautier recorded the testimonies of Algerian independence activists, French conscripts and reservists, generals of the French army, historians... Thus, Mohamed Moulay, Ali Rouchaï, Mohamed Loulli, Germaine Tillion, Paul Teitgen, Pierre Vidal-Naquet, Colonel Antoine Argoud, General de Bollardière, and General Jacques Massu, among others, gave their testimony before Vautier’s camera. A documentary long unseen that reminds us where the National Front comes from, which changed its name and gained some respectability after Jean-Marie Le Pen’s leadership. Warning: The film is a rescued copy. The technical quality is degraded, but that is only a detail... The Man with Bloody Hands (by René Vautier) I had embarked on a historical project: recording on video tapes the “memories” of witnesses of the Algerian War, so that one day young students from France and Algeria could write together, in images, a common history of the relations between the two peoples. I was told about a man, in Saint-Eugène, who, despite having been tortured, had trouble asserting his pension rights because he had never been a member of the FLN. I interviewed him somewhat by chance: he told me about his tortures, and how, between sessions of “gégène” (electric torture) and “bathtub” (immersion torture), his torturers had pushed his thumbs into his eye sockets: “as if they wanted to make my eyes pop out.” Then I did what I always did: showed him a series of photos of paratrooper officers, to ask if he recognized his torturers. Very dignifiedly, he told me he could no longer see... but he added: “I have a paper from Mr. Mayor (the mayor of Algiers at the time was Jacques Chevalier, former Minister of Defense under Mendès-France) where the name of the paratrooper lieutenant is written.” That’s how I saw that the name he couldn’t read — he had gone blind due to the tortures — was that of Lieutenant Le Pen. I had Jacques Chevalier’s signature authenticated by his family members and people who had worked with him; I checked documents from the time — there was no doubt. Apparently, there is a law in France forbidding the use of testimonies about atrocities committed during the Algerian War. Let’s not be ridiculous: Austrians are suspected of putting at the head of their republic a man accused of having “covered up” tortures, and yet we should hide from the French documents that the whole world will feast on during the presidential elections? Because no law can prevent the whole world — except France! — from knowing that we will have a candidate not only with delirious statements but with bloody hands. This article was published in L’Humanité on September 29, 1987.
Ford commercial linking new compact cars to futurism and the space frontier. (The Prelinger Archives are a source of educational material, mainly ordered by theme, giving a vision of the dark side, the underbelly, perhaps naive of the American dream and the America that is often hidden behind the media curtain.)
Anthem is a post-industrial lamentation, structured on the single piercing scream of a young girl as she stands in the vast chamber of Union Station in Los Angeles. Viola relates this structure to the form and function of religious chants, particularly Gregorian chants (using a harmonic scale in a resonant hall) and Tantric Buddhist chants (ritual exorcism and conversation with demons). The original scream is extended in time and shifted in frequency to produce a scale of harmonic notes that comprises the soundtrack, to which Viola juxtaposes images of materialism -- industry and the worship of the body, giant oil pumps and the beating human heart, cars streaming along a freeway and blood flowing through veins, modern surgical technology and tree branches in an ancient forest. The anguished scream cuts through the corporeality of the body and contemporary culture as a living organism. For Viola, the piece is a ritual evocation of "our deepest primal fears, darkness, and the separation of body and spirit."
UntitledLewanne Jones is Autonomedia's main Film and Video specialist. She will present her research into media archaeology in the EE.UU. New York-based Autonomedia are one of the most lucid publishers of books on radical media, politics and the arts. They have published more than 300 titles that have influenced and given voice to a generation of authors, thinkers and social collectives, and established a dialogue between seemingly unconnected critical voices. Their publications include: Temporary Autonomous Zones, by Hakim Bey; Digital Resistance and Electronic Civil Disobedience, by Critical Art Ensemble; Hacktivism, by the Electronic Disturbance Theatre; Pirate Utopias and European Renegades, by Peter Lamborn Wilson.
Media Archaeology 1999-2003: governmental and corporative footage. Post-0911 Air-Mil-Corp Digital-Euphoria Go-Army.
ICT, Loockhed Martin, Future Combat Systems, Full Spectrum Warrior, Kuma War. A devastating wave of terrorist attacks spreads across America, Europe and Southeast Asia, targeting specifically U.S. and U.K. interests, including embassies, regional corporate headquarters, and even western retail and restaurant chains. After months of intense hunting, U.S. intelligence tracks the source of the attacks to the tiny eastern nation of Zekistan. Zekistan was born seemingly overnight with the fall of the Soviet Union, resulting in a struggling third-world nation, torn by ethnic and sectarian strife, armed with a large surplus of Soviet-era military hardware and a critically weak government. Barely a year after its independence, the nation fell into brutal civil war between ethnic Zekis and settlers from surrounding nations. The Zekis were defeated by fundamentalist dictator Mohammad Jabbour Al Afad, who wasted no time in ordering the ethnic cleansing of the native Zekis. After the U.S-led operations in Afghanistan and Iraq, thousands of ex-Taliban and Iraqi loyalists crossed the borders of Zekistan seeking asylum by invitation of the nation’s dictator, Al Afad. It wasn’t long before the same terrorist training facilities and death-camps that the U.S. fought to remove in Afghanistan were operating again under full sponsorship by Al Afad’s government. After repeated warnings and failed diplomatic resolutions in the UN, NATO votes to invade Zekistan to depose Al Afad, eliminate the terrorist element, and stop the ethnic cleansing of the Zeki people. Pakistan grants the U.S. fly-through access to their airspace, and the operation begins. For several consecutive nights, carrier groups USS Carl Vinson and USS Ronald Reagan in the Arabian Sea launch thousands of sorties to take out air defense, armor, and enemy bases. With the dust barely settled, Infantry and Armor from seven NATO nations begin to land at captured air bases in southern Zekistan. The land invasion is underway… ...a media archaeology project by OVNI ARCHIVES: reading agents abu-ali & retroyou. 1999-2004.
A promotional video from German multinational Bayer. A euphoric vision and a justification of its commercial activities.
Behind the scenes tour of NBC's radio and television broadcasting facilities at Rockefeller Center, New York City. The Prelinger Archives are a source of educational material, mainly ordered by theme, giving a vision of the dark side, the underbelly, perhaps naive of the American dream and the America that is ten hidden behind the media curtain. 6th Independent Vídeo & Interactive Phenomena Show
Untitledwww.goarmy.com is a web site designed for the American army by Southern California University ICT. Technology and propaganda supported by a combination of corporations, university research departments and the army's futuristic projections (Future Combat Systems). In this section, through the filter of propaganda, we see future recruits and the process of immersion in army culture. A catalogue of psycho-emotional jabs to create the ideal soldier
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