William Burroughs giving thanks for the goods that will be consumed on Thanksgiving day:  "Thank you for conspiracies and hypocrisies, thank you for a world where it is forbidden to talk, thank you for the turkey destined to be digested by American stomachs, thank you for a blessed nation".

3 Mostra de Vídeo Independent de Barcelona 1996.

Street version of a Beatles hit.

Review of patent files, their carers, their dangers. Music by Henryk Gorecki Music by Bill Frisell

Acclaimed German filmmaker Alexander Kluge, one of the most relentlessly innovative and intellectual figures in contemporary German cinema/ has in recent years produced a remarkable series of works for television. Produced for the German television program "Ten to Eleven" this series comprises an extraordinarily rich body of work that compliments and dialogues with Kluge's films. Traversing realms of desire and culture in the 19th and 20th centuries, these highly experimental works weave together eclectic scenarios that reference advertising, cinema, opera, and electronic communications, and culminate in an ironic critical discourse on fantasy, representation, and history.

"I like mechanics magazines. I have a good appetite. I wake up fresh and rested most mornings. There seems to be a lump in my throat much of the time. I enjoy detective or mystery stories".

Portraits and karaoke, a serial project. Maura Jasper invites friends and strangers to perform a karaoke song. The Karaoke project lasted three years and consists of hundreds of portraits. 4 Muestra de Vídeo Independiente & Fenómenos Interactivos 1997

The result of over five years of Super 8 and 16mm filming on New York City streets, Lost Book Found melds documentary and narrative approaches into a complex meditation on city life. The piece revolves around a mysterious notebook filled with obsessive lists of places, objects, and incidents. These lists serve as the key to a hidden city.

  „Won’t ask you, wish I was going with you.“ (Jack Nicholson in „Easy Rider“) „Get in, drive, arrive (give or take an accident or two!). Zimmer used these as leaders when arranging a large number of film fragments with the car as central theme.The silence of the drivers is emphasised by the sound of slamming doors, roaring engines, exploding tyres, screeching brakes and explosions.“ (Katalog Impakt Festival, Utrecht 1997)