4 Muestra

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        4 Muestra

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            4 Muestra

              64 Archival description results for 4 Muestra

              64 results directly related Exclude narrower terms
              Biba Non Biba
              ES ES-OVNI CTX-S003-SS003-0019 · Item · 1996
              Part of Non-Identified Video Observatory (OVNI)

                This whirling dance tape is a visual odyssey from Beirut to Berlin, a woman’s story set in the oppressive civil fragmentation of two divided cities where images of destruction and reconstruction are intermingled. A cutting edge poetic short, that maps out the roots of inner and outer landscapes. Biba Non Biba is a powerful visual and sonic plea for change that is inclusionary not exclusionary. ARGOS Centre for Art and Media / Biba non Biba  

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              Century Fuge 255
              ES ES-OVNI CTX-S005-SS003-0003 · Item · 1996
              Part of Non-Identified Video Observatory (OVNI)

              Century Fuge 225 is an attempt to deconstruct and juxtapose parallels between the industrial and the information ages. The work focuses on interscection between the frames through a metamorphose of past and future visions of technology.

              Untitled
              Chess
              ES ES-OVNI CTX-S005-SS002-0017 · Item · 1997
              Part of Non-Identified Video Observatory (OVNI)

              The video shows two men playing chess; Radovan Karadzic and Radco Mladic, the psychiatrist and the general. Silence is interrupted by a voice with a heavy accent. Karadzic is a psychiatrist, a poet and the former Bosnian Serb leader. Mladic is a general and the former commander of the Bosnian Serb Army. The two men together are accused of having designed and ordered most of the atrocities that took place in Bosnia. The video juxtaposes classic war strategy, greed and vanity with consequences in reality by suggesting horror through denial.

              Chino: Work in Progress
              ES ES-OVNI CTX-S011-SS005-0001 · Item · 1998
              Part of Non-Identified Video Observatory (OVNI)

              Annotations for a Work in Progress... In November 1994 I traveled from New York to Barcelona hoping to retain support film in what remained of the original Chinatown. One could say that at the time of my arrival in the neighborhood, this started to disappear. Currently it is being demolished and transformed following a massive urban redevelopment plan. Decline and future life, memory and oblivion: entropy as history.

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