3 Mostra de Vídeo Independent de Barcelona 1996.
Untitled3 Muestra de Vídeo Independente
92 Archival description results for 3 Muestra de Vídeo Independente
Early attempts at critical observation of television were conditioned by the development of the first recording technology. This is the context of this historic Nam June Paik piece, a document about the feedback relationship between video and television, and the ability of television to filter and pixilate information. 3 Mostra de Vídeo Independent de Barcelona 1996.
Untitled"Imaginary Trips I" is a Portrait of a City where the different languages that inhabit the urban landscape intersect. The travel document through the subjective story, the history and the dislate, whose roots are the narrations about remote cultures and unknown territories: literary genre of seekers of fortune, sailors and anthropologists. In this first chapter of "Imaginary Travels", a tour of the city of Buenos Aires, its history and myths. 3 Mostra de Vídeo Independent de Barcelona 1996.
Untitled3 Mostra de Vídeo Independent de Barcelona 1996.
UntitledVideo version of an interactive work caricaturing the idea of freedom of choice. The context is a series of test questions, but the answers are predetermined and in this case lead us to destruction by accumulation, exploitation, ... 3 Mostra de Vídeo Independent de Barcelona 1996.
Untitled3 Mostra de Vídeo Independent de Barcelona 1996.
The American paranoia, collective fears and media justification through a hallucinatory conspiracy in which Fidel Castro, the satanic forces and the aliens threaten America. 3 Mostra de Vídeo Independent de Barcelona 1996.
... 3 Mostra de Vídeo Independent de Barcelona 1996.
Untitled... 3 Mostra de Vídeo Independent de Barcelona 1996.
Because subliminal inculturation is not always consciously recognized, Tanaka strives for her work to incorporate a primary visceral effect with an analytical statement reflecting the multiplicity of a particular experience and observation. Accordingly, in Beaver Valley more personal black and white footage contrasts sharply with slick media images of Marilyn Monroe and designer jeans; the myth of woman is returned for a refund. 3 Mostra de Vídeo Independent de Barcelona 1996.
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