Set at the 1956 General Motors Motorama, this is one of the key Populuxe films of the 1950s, showing futuristic dream cars and Frigidaire's "Kitchen of the Future". The Prelinger Archives are a source of educational material, mainly ordered by theme, giving a vision of the dark side, the underbelly, perhaps naive of the American dream and the America that is often hidden behind the media curtain. 3 Mostra de Vídeo Independent de Barcelona 1996.
Untitled3 Muestra de Vídeo Independente
92 Archival description results for 3 Muestra de Vídeo Independente
During nocturnal visits to the self through Sonia. X: And you why....are you like that? S: Because since I was born I am like that. X: Repeat I am culture... S: I... am culture. 3 Mostra de Vídeo Independent de Barcelona 1996.
Ron Rochelou uses thematically linked fragments to reflect on the paradox of violence in the media manipulation and the lighthearted treatment of violence. 3 Mostra de Vídeo Independent de Barcelona 1996.
On a business trip, George visits his friends in New York. Relics, memories, his mother in the Bronx. Available online until December 27th 2020. George Kuchar's videos are copyright of the Kuchar Trust and distributed in partnership with the Video Data Bank at the School of the Art Institute of Chicago
3 Mostra de Vídeo Independent de Barcelona 1996.
3 Mostra de Vídeo Independent de Barcelona 1996.
UntitledAn experimental documentary about the role corporations have played in shaping the American public's perceptions of the developing world. Weaving together clips of corporate-produced archival film with poetry, performance, and other metaphorically interpretive text, the tape raises questions about how public relations media operate in the constitution of power, how and by whom history is written, and how audience and consumer desire are constructed. 3 Mostra de Vídeo Independent de Barcelona 1996.
UntitledRedirected media pollution. 3 Mostra de Vídeo Independent de Barcelona 1996.
Untitled3 Mostra de Vídeo Independent de Barcelona 1996.
3 Mostra de Vídeo Independent de Barcelona 1996.
Untitled