CAAMI creates a relationship between the hermetic world of culture and television consumption, the sacred ambience of the museum and tele-shopping, in a video about the Atlantic Centre for Inflatable Modern Art, a parody of the culture industry and the television genre. 3 Mostra de Vídeo Independent de Barcelona 1996.

An experimental documentary about the role corporations have played in shaping the American public's perceptions of the developing world. Weaving together clips of corporate-produced archival film with poetry, performance, and other metaphorically interpretive text, the tape raises questions about how public relations media operate in the constitution of power, how and by whom history is written, and how audience and consumer desire are constructed. 3 Mostra de Vídeo Independent de Barcelona 1996.    

On a business trip, George visits his friends in New York. Relics, memories, his mother in the Bronx. Available online until December 27th 2020. George Kuchar's videos are copyright of the Kuchar Trust and distributed in partnership with the Video Data Bank at the School of the Art Institute of Chicago

Ron Rochelou uses thematically linked fragments to reflect on the paradox of violence in the media manipulation and the lighthearted treatment of violence. 3 Mostra de Vídeo Independent de Barcelona 1996.